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Reporter killed in restaurant she owns hours after journalist shot dead in separate attack in Mexico
The U.N. human rights office in Mexico said Wednesday journalists in Mexico need more protection, after gunmen killed a journalist whose Facebook news page covered the violent western Mexico state of Michoacan. Then less than 24 hours later an entertainment reporter in the western city of Colima was killed inside a restaurant she owned.
Journalist Mauricio Solís of the news page Minuto por Minuto was shot to death late Tuesday just moments after he conducted a sidewalk interview with the mayor of the city of Uruapan. State prosecutors said a second person was wounded in the shooting.
Solís had just finished an interview on the street outside city hall with Mayor Carlos Manzo. Manzo told local media he had walked away and “two minutes later, I think, and just a matter of meters away, we heard gunshots, four or five gunshots.”
“We sought cover because we thought the attack was aimed at us,” Manzo said. “After a few minutes we found out that Mauricio was the one they attacked.”
Manzo said he could not rule out a connection between the interview and the killing.
Armando Solis / AP
The radio station where Solis worked mourned his killing in a statement published on social media.
“Mauricio was more than a colleague, he was an unconditional friend, a source of inspiration and a tireless voice in the service of our community,” the station said.
The U.N. rights office said Solís was at least the fifth journalist killed in Mexico this year. It said he had previously reported security problems related to his work. His Facebook page reported on community events and the drug cartel violence that has wracked the city.
“His killing is a wake-up call to defend the right to information and freedom of expression in Mexico,” the office wrote.
An increasing number of the journalists killed in Mexico have been self-employed and reported for local Facebook and online news sites.
Uruapan is the nearest large city to Michoacan’s avocado-growing region, and it has been the scene of drug cartel extortions and turf battles between gangs. The cartels demand protection money from local avocado and lime orchards, cattle ranches and almost any other business.
Solís was reporting on a suspicious fire at a local market just before the shooting. Gangs have sometimes burned businesses that refuse to pay extortion demands.
Then on Wednesday afternoon, entertainment reporter Patricia Ramírez González was found with serious injuries inside her Colima restaurant and died at the scene, according to the Colima state prosecutor’s office.
Local media said Ramírez, who was better known as Paty Bunbury, published a blog on local entertainment and was a contributor to a Colima newspaper.
The U.S.-based Committee to Protect Journalists condemned both killings and called for transparent investigations.
Wracked by violence related to drug trafficking, Mexico is one of the world’s most dangerous countries for journalists, news advocacy groups say.
Reporters Without Borders says more than 150 newspeople have been killed in Mexico since 1994 — and 2022 was one of the deadliest years ever for journalists in Mexico, with at least 15 killed.
Media workers are regularly targeted in Mexico, often in direct reprisal for their work covering topics like corruption and the country’s notoriously violent drug traffickers.
In August, a Mexican journalist who covered one of the country’s most dangerous crime beats was killed by gunmen, and two of his government-assigned bodyguards were wounded.
In April, Roberto Figueroa, who covered local politics and gained a social media following through satirical videos, was found dead inside a car in his hometown of Huitzilac in Morelos, a state south of Mexico City where drug-fueled violence runs rampant.
All but a handful of the killings and abductions remain unsolved.
“Impunity is the norm in crimes against the press,” the the Committee to Protect Journalists said in a report on Mexico in March.
Tom Hanks and Robin Wright, who first starred together in “Forrest Gump” 30 years ago, are reuniting in the new film “Here,” directed by “Forrest Gump” director Robert Zemeckis and written by Eric Roth.
The movie follows a couple, Richard and Margaret Young, through love and loss in the same living room over decades, capturing the evolution of their lives and the families that follow.
Shot entirely from the same camera angle, the film captures changes in the lives of its characters and the transformations in the world outside.
“This really is a meditation in passing, everything passes. And the only constant we have in our life is change,” Wright said, describing Zemeckis’ vision for how one place evolves over generations. “Which is what we all experience. So I think everyone will relate to one aspect or 12 in this movie,” she said.
Hanks and Wright said they were eager to work together again on such an unusual project.
“When Bob [Zemeckis] mentioned getting the band back together, I was like, yes, for sure,” Wright said. “And he’s like, this has never been done before. I said, let’s go, let’s take the ride. We have such faith in him because his imagination is pretty incredible.”
Hanks said the film’s approach required a new style of acting, with short scenes showing the characters at various stages of their lives.
“We were making jokes when we were doing it because a lot of these scenes, they only last like two minutes or, you know, and our job was to make them as lively as possible and real as possible. And I said, well, look, if, look, if it gets boring, Bob will just have a stegosaurus walk by the window,” Hanks said.
The film uses subtle digital effects to show Hanks and Wright at different ages, with scenes that create a sense of time passing.
“It was both strange and profound to watch myself go through different life stages on screen,” Hanks said.
Wright and Hanks said the physical demands of portraying young, energetic characters in their 60s were challenging. In a lighthearted moment during the interview, they reenacted a scene by jumping from their seats, pretending to be teenagers. “We had to bring youthful energy to every take, which was harder than it sounds!” Wright said.
Reflecting on what he hopes audiences take away, Hanks said, “I hope they see themselves … I go to the movies, no matter the gender of the characters or the culture that it’s shot at, I wanna see some aspect of my own struggles up there because when I do, it’s like, I’m going through that same exact thing.”
“Here” comes out on Nov. 1, 2024.
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“Win With Black Women” founder Jotaka Eaddy on how the group is embracing its role in a historic election
The founder of the viral “Win With Black Women” livestream that had 90,000 participants nationwide as Vice President Kamala Harris entered the race for the White House in July said as a child, she “always was that kid that just wanted to fight for anybody who I felt was being mistreated.”
Jotaka Eaddy said she felt that way after hearing negative comments made about Black women named as possible vice presidential candidates in 2020, when President Biden was on the campaign trail.
“Every last one of those women were receiving racist, sexist attacks,” Eaddy told CBS News. “No one was challenging their policies, their agendas. It was, ‘she was too ambitious.'”
Eaddy’s mentor, former White House political director Minyon Moore, encouraged Eaddy to do something. And in 2020, Eaddy created “Win With Black Women,” a virtual network that started meeting every Sunday during the pandemic via zoom with the goal of supporting and advancing the policy agenda of Black women. Since July, it’s raised more than $2.6 million for the Harris campaign.
When Mr. Biden opted to leave the race in July, endorsing Harris as his successor, the group’s routine call went viral, as around 90,000 Black women and allies came together to strategize — and to embrace the history that could be made.
“Remember this moment, remember where you were, remember how you felt,” Eaddy said at the time.
Eaddy said when the call came to a close at 1 a.m., around 20,000 women remained, in what she said “felt like a hug that you just did not want to let go.”
The group’s work inspired others to form virtual groups, while raising millions of dollars for the shared cause. And it inspired a “Unite for America” livestream in September with Oprah Winfrey, featuring Harris herself, who thanked Eaddy for her work.
“She started it, Jotaka started it,” Harris said.
According to CBS News polling, more than nine in 10 Black women voters are backing Harris in the 2024 presidential election. The support comes as Black women helped propel Mr. Biden to victory in 2020, like in Georgia, with 92% supporting him and helping a Democrat to win the state for the first time in 28 years.
The effort comes after a long history of Black women organizing, according to historian and professor Martha S. Jones.
“When we look back across not just decades, but more than a century, what we recognize is that Black women have always been knocking on the door, rattling the gates, insisting on a place at the table in American politics,” Jones said.
Jones, the author of “Vanguard: How Black Women Broke Barriers, Won the Vote, and Insisted on Equality for All,” was part of the zoom call in July, and noted the importance of getting out the vote — which she called “the heart of democracy.”
For Eaddy, she recognizes the new standard that “Win With Black Women” has set on voter outreach, which she hopes will make an impact in decades to come.
“What we are seeing is a level of energy united around our collective, our collective absolute need to ensure that this country is a place where we can all thrive and live and be free,” Eaddy said.
