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The 5 best noise canceling headphones for 2024 cost as little as $99
Soundcore, Bose
The best noise canceling headphones — as their name suggests — do a marvelous job getting rid of ambient noise, so you can focus on the audio you really want to hear. This might be sound from a TV show or movie, your favorite music, the latest episode of a podcast, or even a popular audiobook.
Audio from the best headphones sound lifelike and immersive, but there are other benefits to noise cancellation: It can be used on its own, so you can eliminate any and all sounds that surround you and just bliss out in near total silence. Plus, since noice canceling headphones have built-in microphones, they also deliver clear, hands-free calls via your smartphone, tablet, smart watch or computer.
Some people find headphones too bulky to carry around, or don’t like wearing them for extended periods. In this case, we recommend a premium pair of noise canceling wireless earbuds.
The best noise canceling headphones
For the best listening, our in-house consumer technology experts recommend headphones from a well-known audio brand that also has a reputation for pushing the limits of what active or adaptive tech can offer.
We also suggest headphones that offer a long battery life and additional features, like spatial audio with dynamic head tracking or Dolby Atmos support. Don’t forget to look for headphones that come with a carrying case — all the better for stress-free travel. Whatever your budget, you can easily find a quality pair of headphones that’ll make audio sound truly immersive.
Best noise canceling headphones overall: Bose QuietComfort Ultra
Bose
Battery Life: Up to 24 hours | Weight: 0.56 pounds | Driver Size: Not disclosed by Bose | Microphones: 12 | Case: Included | Special Features: Supports Bluetooth 5.3; Superior noice cancellation; Customizable sound via Bose Music app
With the launch of its QuietComfort Ultra headphones, Bose has upped its already-impressive noise cancellation reputation. The model also makes audio more customizable via the Bose Music mobile app.
Another major new feature: support for spatial audio. This makes audio sound more immersive — as if it’s emanating from all around you. If you’re listening to music, it’ll sound more like you’re in the middle of a live show. If you’re watching a battle scene in an action movie, it’ll sound as if you’re actually on the field.
We also like the plush ear cups and headband, which make these headphones extremely comfy, even for extended listening sessions. Battery life is up to 24 hours, but there’s a quick-charge feature. Just a 15-minute charge adds up to two hours of listening time — with the immersive audio feature turned on.
The QuietComfort Ultra headphones work with any Bluetooth smartphone, tablet or computer. They’ll also pair with any Bose TV soundbars to allow for private TV viewing and listening. When it comes to hands-free audio calls, the dozen integrated microphones ensure your voice is heard clearly, while ambient noise is eliminated. This makes the headphones ideal for an office, a commute, or just sitting at home relaxing.
Best budget noise canceling headphones: Soundcore Space One
Soundcore
Battery Life: Up to 40 hours | Weight: 9.1 ounces | Driver Size: 40mm | Microphones: 3 | Case: Not included | Special Features: LDAC Hi-Res audio support; 8-degree floating axis design; Reduces 2x more crowd noise (up to 98%) compared to previous versions; Fast Charge feature; Bluetooth 5.3 support
In most cases, our in-house consumer tech experts advise against cheap noise canceling headphones, because that age-old phrase, “You get what you pay for” typically applies. That’s not the case, however, with the Soundcore Space One headphones.
Priced under $100, these headphones offer decent sound quality and impressive active noise cancellation for the price. Soundcore promises that these headphones can reduce ambient sound by up to 98%. But when you need to communicate with someone in the real world, you can select between five levels of transparency.
The Space One headphones offer 40mm drivers that support LDAC Hi-Res audio. So when compressed audio is being played, the headphones can capture up to three times more data than standard Bluetooth codecs, so you’ll hear more intricate nuance in whatever you’re listening to. You’ll also enjoy up to 40 hours of playtime with ANC turned on. A quick five-minute charge will keep the headphones functioning for up to four additional hours.
From a quality standpoint, these headphones don’t compare to what you get from premium brands like Bose, Sony, Apple, or Bowers & Wilkins, so keep your expectations in check. After all, these headphones are less than one-third the price. What the Space One headphones do provide is a really good value with impressive sound quality for the money.
Best noise canceling headphones for music: Sony WH-1000XM5
Sony
Battery Life: Up to 30 hours | Weight: 8.82 ounces | Driver Size: 30mm | Microphones: 8 | Case: Included | Special Features: Supports Bluetooth 5.2; DSEE Extreme support; Hi-Res audio support; Integrated touch sensors for volume control
The WH-1000XM5s are Sony’s top-of-the-line consumer headphones. They offer superior noise cancellation, up to 30 hours of battery life and support for hi-res audio. These headphones also make hands-free calls sound crystal clear.
Keep in mind, while the WH-1000XM5 headphones support spatial audio, this feature can only be used with a supported streaming music service (such as Amazon Music Unlimited or Tidal); Sony PlayStation games; a “360 Reality Audio Certified Smartphone,” or a compatible Sony TV. You also need to use the Sony app to make use of spatial audio and to customize your listening experience.
One feature we love in these headphones is their support for DSEE Extreme. This tech upscales compressed digital audio files in real time to restore high-range sounds that would otherwise be lost to compression. Overall, the WH-1000XM5s does a superior job playing any type of music.
The headphones work well with spoken audio — whether it’s from a podcast, audiobook or hands-free phone call. And these headphones have an elegant form factor, so they’ll fit nicely in a work environment and can be used for hands-free calls, or when you just want to block out ambient noise.
Yes, these are expensive headphones, but you get the quality audio that Sony is known for. You’re also paying a slight premium for the Sony brand name.
Best noise canceling headphones for Apple users: Apple AirPods Max
Apple
Battery Life: Up to 20 hours | Weight: 13.6 ounces | Driver Size: 40mm | Microphones: 8 | Case: Covers just the ear cups | Special Features: Auto pairs with all Apple devices; Offers spatial audio with dynamic head tracking; Can be located using Apple’s Find My service; Functionality is built into the iOS, iPadOS and MacOS operating systems, so no special app is required
If you can get past the hefty price tag, you’ll be rewarded with amazing audio, adaptive noise cancellation and spatial audio with dynamic head tracking — amazing listening overall.
Whether you use these headphones with Apple Music, Apple TV+, Apple Podcasts or Apple Arcade, the audio will be clear and robust. In fact, this is the case with any audio, from virtually any source.
The AirPods Max are relatively lightweight and comfortable. But it’s the spatial audio with dynamic head tracking that makes them truly stand out, especially with supported movies or TV shows. These headphones also work with Apple’s Find My feature and will automatically pair with whichever Apple device you’re using, such as an iPhone, iPad, Apple Watch, MacBook, or iMac.
The one drawback is that these headphones come with a rubber housing that protects just the ear cups, not the headband, so you need to be careful when transporting them. And the ear cups are connected to the headband using magnets, without the casing to keep them in place, so they could fall off and get lost. What’s great about these headphones, however, is that they don’t require a special app. AirPods Max control features are incorporated into the operating systems for Apple devices. You also get intuitive onboard controls.
Best premium noise canceling headphones: Bowers & Wilkins Px8
Bowers & Wilkins
Battery Life: Up to 30 hours | Weight: 11.29 ounces | Driver Size: 40mm | Microphones: 6 | Case: Included | Special Features: Built-in wear detection sensor; Bluetooth 5.2 with aptX adaptive support; luxury design
When it comes to cars, you could drive a low-cost Mazda, or spend more for the unparalleled luxury of a Rolls Royce. Think of the Bowers & Wilkins Px8s as the ultimate in luxury listening option.
The Px8s come in your choice of black, tan or burgundy. Prepare to hear 24-bit audio that uses digital sound processing to eliminate distortion and enhance high-frequency detail. In fact, when you stream music or audio from the internet, these headphones decompress the audio in a way that allows you to hear far more detail.
While the headphones work to improve audio quality, the active noise cancellation feature simultaneously removes ambient sounds. This also applies when using the Px8 headphones for hands-free calls.
Sure, sound quality is essential, but the Px8s also focuses on comfort and appearance. The ear cups and headband are covered with napa leather and use memory foam to provide added comfort, while the metal (not plastic!) frame adds durability and a more sophisticated and premium appearance.
The Bowers & Wilkins Music app gives you maximum control over your listening experience. But if the almost $700 price point is too steep for your budget, the Bowers & Wilkins Px7 S2e headphones are priced at $399 and offer also a truly impressive listening experience packed into a slightly less premium design.
What to look for in noise canceling headphones
Regardless of the brand name, design or price, what’s most important when it comes to headphones are sound quality, comfort and performance. Here are seven key things to consider:
- Design: The size, weight and shape of headphones contribute to their comfort level, but can also impact sound quality and the accessibility of onboard controls. Build quality contributes to their durability and overall performance.
- Driver size and audio quality: The larger the drivers in the headphones, the better the audio quality. That said, it’s the tech used in conjunction with the hardware that ultimately determines clarity, level of distortion and the overall quality of the sound. Features like hi-res audio, spatial audio and Dolby Atmos, along with digital signal processing capabilities all make a difference.
- Number of microphones: The microphones measure ambient sound, so the ANC technology can reduce or eliminate unwanted noise. The microphones also pick up your voice, so you sound clear on calls. In some cases, the microphones know that you’re speaking with someone close by, and automatically activate transparency mode. The more microphones built into the headphones, the better.
- Noise canceling technology and transparency mode: Active noise cancellation reduces or removes ambient sound. Adaptive tech adjusts the level of noise cancellation. Some headphones, like the Bose QuietComfort Ultra, let you manually adjust the level of noise cancellation.
- Battery life: The longer the battery life, the better. Seek out headphones that offer at least 15 hours of listening time per charge. You may also find a quick charge feature useful; plug the headphones into an external power source for just a few minutes to extend listening time by up to several hours.
- Mobile app: Except for Apple AirPods Max, most of the best headphones work with a free mobile app. The app often allows you to customize your listening experience, choose from a handful of audio presets, tweak the audio EQ, use transparency mode, or customize noise cancellation. This is usually in addition to the headphones’ onboard controls that may use buttons or dials. They might also be touch sensitive. The AirPods Max offer some of this functionality integrated into iPhone, iPad, Apple Watch, MacBooks and iMacs, so a separate app is not needed.
- Special features: We recommend headphones that support features like spatial audio (or better yet, spatial audio with dynamic head tracking), Dolby Atmos support, or the ability to generate hi-res audio.
To learn all about the latest consumer tech, read in-depth product reviews, discover informative buyer’s guides for popular products and find the best deals, be sure to check out our constantly updated tech coverage.
The 62nd New York Film Festival opened at Lincoln Center on Friday, the return of what may be the best curated international film festival, featuring new works by such esteemed directors as Pedro Almodóvar, Mike Leigh, David Cronenberg, Paul Schrader, Steve McQueen, and Luca Guadagnino.
The festival, which runs through Oct. 14 at venues across New York City, showcases more than 100 films from 41 countries, including prize winners from the Cannes, Venice, Berlin, Sundance, Toronto and Locarno film festivals. Among the stars featured are Adrien Brody and Felicity Jones (“The Brutalist”), Daniel Craig (“Queer”), Richard Gere and Uma Thurman (“Oh, Canada”), Tilda Swinton and Julianne Moore (“The Room Next Door”), Saoirse Ronan (“Blitz”), Cate Blanchett (“Rumours”), and Naomi Watts and Bill Murray (“The Friend”).
Angelina Jolie stars as opera diva Maria Callas in the biopic “Maria,” directed by Pablo Larrain (“Jackie,” “Spencer”). “Emilia Perez,” a crime thriller/musical, won the best actress award at Cannes for its four lead performers: Zoe Saldaña, Selena Gomez, Karla Sofía Gascón and Adriana Paz. “A Traveller’s Needs” stars the great Isabelle Huppert as a French teacher in South Korea whose unconventional teaching methods involve speaking hardly any French words.
Gala screenings
Friday’s opening night presentation, “Nickel Boys,” is an adaptation of Colson Whitehead’s Pulitzer Prize-winning novel about a young Black student unjustly sent to a reform school in Florida, where he witnesses the cruel hypocrisies of the Jim Crow era. Directed by RaMell Ross (the Oscar-nominated documentary “Hale County This Morning, This Evening”), the film takes a subjective view of the characters’ journey into adulthood. It stars Ethan Herisse, Brandon Wilson, and Deveed Diggs.
To watch a trailer for “Nickel Boys” click on the video player below:
Other gala screenings include the festival’s centerpiece, “The Room Next Door.” Pedro Almodóvar’s first English-language feature, which won best film at the Venice Film Festival, stars Tilda Swinton and Julienne Moore as two old friends who reconnect over one’s desire to end her own life.
The festival’s closing night screening is Steve McQueen’s “Blitz,” starring Saoirse Ronan as a single mother separated from her child during the Germans’ bombing of London in World War II.
Other notable entries in the festival lineup include “Queer,” based on William S. Burroughs’ book and directed by Luca Guadagnino (“Call Me By Your Name”). It stars Daniel Craig as a gay American expatriate in 1940s Mexico City who begins a love affair with a preppy newcomer (Drew Starkey).
“All We Imagine As Light” (a grand prize-winner at Cannes) tells the story of the emotional bonds of a trio of nurses in Mumbai. Iranian emigree filmmaker Mohammad Rasoulof’s “The Seed of the Sacred Fig” explores the political divisions within the family of an Iranian judge. “Transamazonia” is centered on a woman who survived a plane crash in the Amazon jungle as a child and grows into a faith healer.
Jesse Eisenberg’s “A Real Pain” (which won a screenwriting award at Sundance) stars Eisenberg and Kieran Culkin as cousins reconnecting during a trip to the Polish hometown of their grandmother, a Holocaust survivor. In “The Friend,” Naomi Watts gains an unexpected inheritance from her deceased neighbor Bill Murray: a giant Great Dane.
Mike Leigh’s “Hard Truths” stars Marianne Jean-Baptiste (an Oscar nominee for “Secrets & Lies”) as a working-class woman struggling with physical and mental health problems. Guy Maddin, whose past films have been phantasmagorical flights of fantasy, returns to the festival with “Rumours,” in which world leaders at the G-7 Summit face an unusual brand of apocalypse.
Also playing: “The Damned,” a Civil War drama of Union soldiers in the Northwest frontier; “Jimmy,” which reimagines the life of writer-activist James Baldwin when he moves from the United States to Paris in 1948; from Japan, the dystopian drama “Happyend,” which examines the surveillance of citizens in a Tokyo high school; and Miguel Gomes, behind the 2015 triptych “Arabian Nights,” directs “Grand Tour,” an immersive, time-shifting trip across Southeast Asia.
Documentaries
Among the non-fiction films on tap are “Dahomey,” which traces the repatriation to Africa of cultural treasures that had been plundered by French colonial troops; “Suburban Fury,” which looks at the radicalization of Sara Jane Moore, a 45-year-old California woman and former FBI informant who attempted to assassinate President Gerald Ford; and the U.S. premiere of “Elton John: Never Too Late,” which explores the life and career of the pop-rock icon.
In “My Undesirable Friends,” Soviet Union-born filmmaker Julia Loktev returned to Moscow to make a documentary on independent journalism under Putin, just in time for the launch of Putin’s invasion of Ukraine. Brett Story and Stephen Maing’s “Union” documents the formation of the Amazon Labor Union, following an historic vote at the company’s Staten Island warehouse.
Revivals and restorations
The festival will screen 4K restorations of the Clive Barker horror film “Hellraiser,” featuring Pinhead; Robert Bresson’s “Four Nights of a Dreamer”; Marguerite Duras’ film debut, the 1966 “La Musica”; John Hanson and Rob Nilsson’s 1978 indie film “Northern Lights,” about the rise of a populist movement in North Dakota in the early 20th century; and Frederick Wiseman’s 1981 documentary “Model,” which, at two hours, is short compared to Wiseman’s recent films.
Also being screened, from 1977, is Marva Nabili’s “The Sealed Soil,” the earliest surviving film directed by an Iranian woman.
Free talks
The festival will host free discussions with filmmakers. Among those scheduled are “Nickel Boys” director RaMell Ross and Barry Jenkins (Sept. 29); Alex Ross Perry and Andrei Ujică, director of the documentary “TWST/Things We Said Today” (Oct. 3); Sigrid Nunez, author of the source novels “The Friend” and “The Room Next Door” (Oct. 5); director Zeinabu Irene Davis and Madeleine Hunt-Ehrlich, of “The Ballad of Suzanne Césaire” (Oct. 6); “Grand Tour” director Miguel Gomes and Payal Kapadia (Oct. 9); and Julia Loktev and Roberto Minervini (Oct. 9).
The festival runs through Oct. 16 at Lincoln Center, with additional screenings at the Alamo Drafthouse Cinema on Staten Island, the Brooklyn Academy of Music, the Bronx Museum, and the Museum of the Moving Image in Queens.
Early highlights
Of festival entries screened at press time, a few highlights are reviewed below. [More reviews will be published as the festival continues.]
A24
“The Brutalist” (U.S. premiere)
Director and co-writer Brady Corbet’s taut post-war drama of a Hungarian architect trying to reinvent himself in America is a tale of refugees adrift in a so-called land of opportunity, where antisemitism lurks behind every welcome. Adrien Brody (“The Pianist”) plays László Tóth, whose arrival in Pennsylvania, and a chance commission through his assimilated cousin’s furniture business, sets him on a new path, one that plays like a dark, psychological character study from the 1970s. Tóth’s modern, brutalist style (which meets with much criticism), and his dogmatic beliefs in his own independence, both inflate and undermine his abilities to see the gargantuan project through to completion.
The 3.5-hour film (with intermission) is epic in its emotional weight, as Tóth sacrifices his family and personal ties in the service of his static, monumental vision. Matching Brody in the strength of performance is Felicity Jones (“The Theory of Everything”), excellent as Tóth’s wife, Erzsébet, whose physical infirmity only reinforces her steely temperament; and Guy Pearce (“Memento,” “The Hurt Locker”), magnetic as Harrison Lee Van Buren, a wealthy businessman and patron who views a Tóth commission as a worthy monument to his ideals and, ultimately, his corruption. It’s a film of big ideas and oversized egos, and of a society ready to crush both.
Shot in VistaVision, the picture screens Oct. 12 in 70mm, and Sept. 28 and Oct. 11 in 35mm. 215 mins., including 15-minute intermission. In English, Hungarian, Hebrew, Yiddish and Italian and English subtitles. An A24 release. Opens in theaters Dec. 20.
Neon
At first, Sean Baker’s sly and at times uproarious comic-drama of a Brooklyn sex worker who enters into a Cinderella romance and marriage with the flighty son of Russian oligarchs seems a slight choice for top prize at this year’s Cannes Film Festival. (Recent Palme d’Or winners have included the comparatively heavy “Anatomy of a Fall,” “Triangle of Sadness” and “Parasite.”) But Baker, whose previous films include “The Florida Project” and “Tangerine,” consistently upends our expectations. In part this is due to the performance of Mikey Madison, who plays Anora (preferred name Ani) as a woman older than her 25 years, but still young enough to believe in the sanctity of elopement. Baker also twists what we’d expect of movie Russian oligarchs; here, the brute Brighton Beach muscle they bring are little match against a street-smart girl who has a romantic core but isn’t averse to using hardball tactics. With Mark Eydelshteyn as Ani’s love, Ivan; Karren Karagulian as Ivan’s intemperate godfather; and Vache Tovmasyan as an Armenian enforcer who is not terribly effective at his job, aided by the standoffish and brooding Igor (Yura Borisov).
Screens Sept. 28, 29, Oct. 8. 138 mins. In English and Russian with English subtitles. A Neon release. Opens in theaters Oct. 18.
Rachel Szor
For years, Basel Adra, a videographer and son of Palestinian activists, has documented the ongoing efforts of Israeli military and settlers to drive Palestinian residents out of the West Bank villages of Masafer Yatta. His camera records bulldozers brought in to knock down houses and schools, forcing those who refuse to leave to erect homes in caves. Meanwhile, visiting journalist Yuval Abraham writes articles on the displacement at Masafer Yatta that, he hopes, people will actually read. But witnessing the destruction prompts depression, and a reassessment of the patience needed to overcome systemic injustice, and the limits of journalism. “No Other Land” was shot before Hamas’ Oct. 7 terrorist attack on Israel, so it plays like a prelude to further horror. But just before a recent screening, Basel posted on social media that his father had been kidnapped and detained by the Israeli military. The distressing story never really ends. Directed by Adra, Abraham, Hamdan Ballal and Rachel Szor, the film won the Documentary Award at the Berlin Film Festival.
Screens Sept. 29, Oct. 1, 5, 6. 95 mins. Arabic, English, and Hebrew with English subtitles. No distributor or release date has been announced.
Directed by Petra Costa (“The Edge of Democracy,” “Elena”), this engrossing documentary traces the growing influence of the Dominionist evangelical movement in Brazil, which in recent years has grown to 30% of the population — a voting block that has proved impossible for Brazilian politicians to ignore. Front-and-center of the film is televangelist Silas Malafaia, a charismatic pastor (with a thriving publishing business on the side) who has the ear of Jair Bolsonaro, a hard-right politician riding his faithful fans to the presidency. But the Brazilian government’s failures during the COVID pandemic — characterized by Bolsonaro dismissing his country’s high mortality rate by saying, “We will all die one day” — weakens the evangelicals’ hold on the nation’s top office. Costa dissects how the theology of apocalypse aimed at bringing forth the end times suits the agenda of some — hence the disturbingly familiar scenes of insurrection as rioters overtake Brazil’s Congress and Supreme Court after Bolsanaro loses his 2022 reelection bid.
Screens Sept. 29, 30. 110 mins. In Portuguese with English subtitles. Distributor and release date to be announced.
Watch a trailer for the 62nd New York Film Festival:
Americans in all of the states and the District of Columbia still have time to register to vote in the 2024 elections this November. But those who haven’t registered yet should sign up soon — the deadlines are coming as soon as early October in some states.
In most states, those who wish to vote have more than one option that makes it easier and more convenient to register or update their registration than in past years.
“The good news is that it’s easier to register than ever across the United States,” CBS News election law contributor David Becker told “CBS Mornings” in September.
All voters can check their registration status by going to vote.gov.
Voter registration options in each state
In addition to the traditional method of registering in person, many states now have online registration, same-day voter registration and automatic voter registration. Same-day voter registration enables people to vote on the same day that they register during early voting periods and in many states, even on Election Day.
About half the states offer automatic voter registration. This means individuals are automatically registered to vote when they go to specific government agencies, like the department of motor vehicles, and obtain a driver’s license or ID. Those who wish to opt out of automatic registration may do so.
Here’s a map that shows the registration options in each state:
Deadlines to register in person, by mail or online in each state
The deadlines for advance voter registration (as opposed to same-day registration) are coming up in some states in early October, with some as late as Election Day. In the map below, you can see the deadlines to register in person, by mail or online in your state:
States that have same-day registration
Nearly half the states, plus the District of Columbia, allow same-day registration on Election Day. Among the other variations on this kind of registration, there are also several states that have same-day registration periods that end before Election Day, but also offer same-day registration on Election Day.
Here are the states allowing same-day voter registration and their dates for the 2024 election:
- California: Oct. 22 to Nov. 5
- Colorado: Oct. 21 to Nov. 5
- Connecticut: Oct. 21 to Nov. 3, and Nov. 5
- District of Columbia: Oct. 28 to Nov. 3, and Nov. 5
- Hawaii: Oct. 22 to Nov. 5
- Idaho: Oct. 21 to Nov. 1, and Nov. 5
- Illinois Oct. 9 to Nov. 5
- Iowa: Oct. 22 to Nov. 5
- Maine: Oct. 7 to Oct. 31, and Nov. 5
- Maryland: Oct. 24 to Oct. 31, and Nov. 5
- Michigan: Oct. 22 to Nov. 5
- Minnesota: Sept. 20 to Nov. 5
- Montana: Oct. 8 to Nov. 5
- Nevada: Oct. 19 to Nov. 1, and Nov. 5
- New Hampshire: Nov. 5
- New Mexico: Oct. 8 to Nov. 2, and Nov. 5
- New York: Oct. 26
- North Carolina: Oct. 17 to Nov. 2
- North Dakota: Sep. 26 to Nov. 5
- Utah: Oct. 22 to Nov. 1, and Nov. 5
- Vermont: Sept. 23 to Nov. 5
- Virginia: Oct. 16 to Nov. 2, and Nov. 5
- Washington: Oct. 18 to Nov. 5
- Wisconsin: Oct. 22 to Nov. 1, and Nov. 5
- Wyoming: Oct. 22 to Nov. 5
A couple in Arkansas was arrested after they allegedly attempted to sell their 2-month-old baby for a six-pack of beer and a $1,000 cashier’s check, court documents say.
Darien Urban, 21, and Shalene Ehlers, 20, the baby’s parents, were arrested on Sept. 21 after the manager of a campground in Benton County contacted the local sheriff’s department to report an incident involving the couple, CBS affiliate WREG reported.
The person said the couple had written a letter granting custody of their baby to Cody Martin in exchange for money. The letter, signed by Urban and Ehlers, included a disclaimer saying, “There will be no changing y’all two’s minds and to never contact again,” WREG reported, citing an affidavit.
Responding troopers found the baby needed medical attention and called emergency medical services, who took the infant to a local hospital for evaluation. The child is now in the care of the Arkansas Department of Human Services.
According to the affidavit, multiple witnesses corroborated the attempted adoption. A deputy also reportedly obtained a cellphone video of Urban and Ehlers signing the contract with the man trying to purchase the baby.
Witnesses reported that a resident of the campground, identified in the affidavit as Ricky Crawford, had earlier in the day visited Urban and Ehlers and offered to take the baby for the night in exchange for several cans of beer, WREG reported.
Crawford, who appeared heavily intoxicated, confirmed that he had taken the baby from the couple and brought the infant to Martin.
Another witness told authorities they smelled a strong ammonia and fecal odor coming from the baby, who had a dirty diaper. She told the deputies that after changing the baby, she saw a severe diaper rash, blisters and swelling, which she documented with photographs.
According to the affidavit, also obtained by Law & Crime, Martin told detectives that he spoke to Ehlers about the reason for the potential adoption, and she said “it was not working having three dogs and a baby.”
Court documents say Martin told detectives he drafted the agreement for Urban and Ehlers to sign but clarified that no money was exchanged at that time. He said he would arrange for a cashier’s check for $1,000. The couple never received this payment.
The couple was arrested and face felony charges of endangering the welfare of a minor and attempting to negotiate the relinquishment of a minor for adoption.
Urban was released on a $5,000 bond on Sept. 24, while Ehlers remains in custody on a $30,000 bail.