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Sean Baker’s “Anora” wins Palme d’Or, the Cannes Film Festival’s top honor
Sean Baker’s “Anora,” a comic but devastating Brooklyn odyssey about a sex worker who marries the son of a wealthy Russian oligarch, has won the Cannes Film Festival’s top award, the Palme d’Or.
Baker accepted the prize with his movie’s star, Mikey Madison, watching in the audience at the Cannes closing ceremony Saturday. The win for “Anora” marks a new high point for Baker, the director of “The Florida Project.” It’s also, remarkably, the fifth straight Palme d’Or won by indie distributor Neon, following “Parasite,” “Titane,” “Triangle of Sadness” and last year’s winner, “Anatomy of a Fall.”
“This, literally, has been my singular goal as a filmmaker for the past 30 years, so I’m not really sure what I’m going to do with the rest of my life,” said Baker, laughing.
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But Baker, the first American filmmaker to win the Palme since Terrence Mallick in 2012 with “The Tree of Life,” quickly answered that his ambition would remain to “fight to keep cinema alive.” The 53-year-old director said the world needed reminding that “watching a film at home while scrolling through your phone, answering emails and half paying attention is just not the way, although some tech companies would like us to think so.”
“So I say the future of cinema is where it started: in a movie theater,” said Baker.
While “Anora” was arguably the most acclaimed film of the festival, its win was a slight surprise. Many expected either the gentle Indian drama “All We Imagine As Light” or the Iranian film “The Seed of the Sacred Fig” to win. Both of those films also took home prizes.
It wasn’t the only jolt of the closing ceremony, though. Before George Lucas was given an honorary Palme d’Or, his old friend and sometimes collaborator Francis Ford Coppola appeared to present it to him, reuniting two of the most pivotal figures of the last half-century of American moviemaking.
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“All We Imagine As Light,” about sisterhood in modern Mumbai, won the Grand Prix, Cannes’ second-highest honor. Payal Kapadia’s second feature was the first Indian in competition at Cannes in 30 years.
The jury awarded a special prize to Mohammad Rasoulof’s “The Seed of the Sacred Fig,” a drama made secretly in Iran. Days ahead of the film’s premiere, Rasoulof, facing an eight-year prison sentence, fled Iran on foot. His film, which includes real footage from the 2022-2023 demonstrations in Iran, channels Iranian oppression into a family drama. The Cannes crowd met an emotional Rasoulof with a lengthy standing ovation.
Coralie Fargeat’s body horror film “The Substance,” starring Demi Moore as a Hollywood actress who goes to gory extremes to remain youthful, won for best screenplay.
“I really believe that movies can change the world, so I hope this movie will be a little stone to build new foundations,” said Fargeat. “I really think we need a revolution and I don’t think it has really started yet.”
Some thought Moore might take best actress but that award instead went to an ensemble of actors: Karla Sofía Gascón, Zoe Saldaña, Selena Gomez and Adriana Paz for Jacques Audiard’s “Emilia Perez,” a Spanish-language musical about a Mexican drug lord who transitions to a woman. Gascón, who accepted the award, is the first trans actor to win a major prize at Cannes.
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“Emilia Perez” also won Cannes’ jury prize, giving a rare two awards at a festival where prizes are usually spread around.
Best actor went to Jesse Plemons for Yorgos Lanthimos’ “Kinds of Kindness.” In the film, three stories are told with largely the same company of actors. Plemons, a standout in several chapters, didn’t attend the closing ceremony.
Portuguese director Miguel Gomes won best director for his “Grand Tour,” an Asian odyssey in which a man flees his fiancée from Rangoon in 1917.
“Sometimes I get lucky,” shrugged Gomes.
The Camera d’Or, the prize for best first feature across all of Cannes official selections, went to Halfdan Ullmann Tøndel for “Armand,” starring “The Worst Person in the World” star Renate Reinsve. Tøndel is the grandson of Swedish filmmaker Ingmar Bergman and Norwegian actor Liv Ullman.
During the brief awards ceremony, Lucas was to be given an honorary Palme d’Or. During the festival, Cannes gave the same tribute to Meryl Streep and the Japanese anime factory Studio Ghibli.
Floodwaters pushed by the remnants of Hurricane Helene left North Carolina’s largest mountain city largely cut off Saturday by damaged roads and a lack of power and cellphone service, part of a swath of destruction across southern Appalachia that left an unknown number dead and countless worried relatives unable to reach loved ones.
In North Carolina alone, more than 400 roads remained closed on Saturday as floodwaters began to recede and reveal the extent of damage. North Carolina Gov. Roy Cooper said that supplies were being airlifted to that part of the state. Cooper said two people died in his state, Helene killed at least 52 people across multiple states.
Among those rescued from rising waters was nurse Janetta Barfield, whose car was swamped on Friday morning as she left an overnight shift at Asheville’s Mission Hospital. She said she watched a car in front of her drive through standing water and thought it was safe to proceed. But her car stalled, and within minutes water had filled her front seat up to her chest. A nearby police officer who saw her car stall helped her to safety.
“It was unbelievable how fast that creek got just in like five minutes,” Barfield said.
Erik Verduzco / AP
Early on Saturday morning, many gas stations were closed because they didn’t have electricity, and the few that were open had hourlong lines wrapped around the block. The hub of tourism and arts, home to about 94,000 people, was unusually still after floodwaters swamped neighborhoods known for drawing visitors including Biltmore Village and the River Arts District, which is home to numerous galleries, shops and breweries.
More than 700,000 power customers were without power across North Carolina, including 160,000 in Buncombe County. Interstate 40 and I-26 were impassible in multiple locations, and a state transportation department map showed that most routes into Asheville and across much of the mountains were snarled. North Carolina’s Department of Transportation posted on social media on Saturday afternoon that “all roads in Western North Carolina should be considered closed.”
In Asheville, there was no cellular service and no timeline for when it would be restored.
“We have had some loss of life,” County Emergency Services Director Van Taylor Jones told reporters. However, he said they were not ready to report any specifics. Officials have been hindered in contacting next of kin by the communications outages. Asheville police instituted a curfew from 7:30 p.m. Friday to 7:30 a.m. Saturday.
“The curfew is to ensure the public’s safety and will be in effect until further notice,” police said.
Asheville transit services were also suspended, police said. The city advised residents to boil “all water used for human consumption,” as there was at least one significant water line break during the storm. Many residents might not be getting water or reduced or no pressure water.
Jones said the area experienced a cascade of emergencies that included heavy rain, high winds and mudslides. Officials said they tried to prepare for the storm but its magnitude was beyond what they could have imagined.
“It’s not that we (were) not prepared, but this is going to another level,” Sheriff Quentin Miller said. “To say this caught us off-guard would be an understatement.”
Erik Verduzco / AP
Atlanta resident Francine Cavanaugh said she has been unable to reach her sister, son, or friends in the Asheville area.
“My sister checked in with me yesterday morning to find out how I was in Atlanta,” she said on Saturday. “The storm was just hitting her in Asheville, and she said it sounded really scary outside.”
Cavanaugh said her sister had no idea how bad the storm would be there. She told Cavanaugh she was going to head out to check on guests at a vacation cabin “and that’s the last I heard of her. I’ve been texting everyone that I know with no response. All phone calls go directly to voicemail.”
The CEO of a hospital operator that filed for bankruptcy protection in May will step down after failing to testify before a U.S. Senate panel.
Steward Health Care CEO Ralph de la Torre has overseen a network of some 30 hospitals around the country. The Texas-based company’s troubled recent history has drawn scrutiny from elected officials in New England, where some of its hospitals are located.
A spokesperson for de la Torre told the Associated Press Saturday that he “has amicably separated from Steward on mutually agreeable terms” and “will continue to be a tireless advocate for the improvement of reimbursement rates for the underprivileged patient population.”
A CBS News investigation that spanned nearly two years documented how private equity investors and de la Torre extracted hundreds of millions of dollars while healthcare workers and patients struggled to get the life-saving supplies they needed.
In August, the company closed two Massachusetts hospitals, leaving about 1,200 workers jobless, according to the state.
Sen. Bernie Sanders of Vermont, who chairs the Senate Health, Education, Labor and Pensions Committee, said earlier this month that Congress “will hold Dr. de la Torre accountable for his greed and for the damage he has caused to hospitals and patients throughout America.”
De la Torre’s resignation is effective Oct. 1. The Senate approved a resolution on Wednesday that was intended to hold him in criminal contempt for failing to testify before a committee.
The Senate panel has been looking into Steward’s bankruptcy. De la Torre did not appear before it despite being issued a subpoena. The resolution refers the matter to a federal prosecutor.
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