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How “Here” brought Tom Hanks and Robin Wright together again
Tom Hanks and Robin Wright, who first starred together in “Forrest Gump” 30 years ago, are reuniting in the new film “Here,” directed by “Forrest Gump” director Robert Zemeckis and written by Eric Roth.
The movie follows a couple, Richard and Margaret Young, through love and loss in the same living room over decades, capturing the evolution of their lives and the families that follow.
Shot entirely from the same camera angle, the film captures changes in the lives of its characters and the transformations in the world outside.
“This really is a meditation in passing, everything passes. And the only constant we have in our life is change,” Wright said, describing Zemeckis’ vision for how one place evolves over generations. “Which is what we all experience. So I think everyone will relate to one aspect or 12 in this movie,” she said.
Hanks and Wright said they were eager to work together again on such an unusual project.
“When Bob [Zemeckis] mentioned getting the band back together, I was like, yes, for sure,” Wright said. “And he’s like, this has never been done before. I said, let’s go, let’s take the ride. We have such faith in him because his imagination is pretty incredible.”
Hanks said the film’s approach required a new style of acting, with short scenes showing the characters at various stages of their lives.
“We were making jokes when we were doing it because a lot of these scenes, they only last like two minutes or, you know, and our job was to make them as lively as possible and real as possible. And I said, well, look, if, look, if it gets boring, Bob will just have a stegosaurus walk by the window,” Hanks said.
The film uses subtle digital effects to show Hanks and Wright at different ages, with scenes that create a sense of time passing.
“It was both strange and profound to watch myself go through different life stages on screen,” Hanks said.
Wright and Hanks said the physical demands of portraying young, energetic characters in their 60s were challenging. In a lighthearted moment during the interview, they reenacted a scene by jumping from their seats, pretending to be teenagers. “We had to bring youthful energy to every take, which was harder than it sounds!” Wright said.
Reflecting on what he hopes audiences take away, Hanks said, “I hope they see themselves … I go to the movies, no matter the gender of the characters or the culture that it’s shot at, I wanna see some aspect of my own struggles up there because when I do, it’s like, I’m going through that same exact thing.”
“Here” comes out on Nov. 1, 2024.
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Bronze Age town with tombs full of weapons discovered hidden in Arabian oasis
The discovery of a 4,000-year-old fortified town hidden in an oasis in modern-day Saudi Arabia reveals how life at the time was slowly changing from a nomadic to an urban existence, archaeologists said on Wednesday.
The remains of the town, dubbed al-Natah, were long concealed by the walled oasis of Khaybar, a green and fertile speck surrounded by desert in the northwest of the Arabian Peninsula.
Then an ancient 14.5 kilometer-long wall was discovered at the site, according to research led by French archaeologist Guillaume Charloux published earlier this year.
For a new study published in the journal PLOS One, a French-Saudi team of researchers have provided “proof that these ramparts are organized around a habitat,” Charloux told AFP.
The large town, which was home to up to 500 residents, was built around 2,400 BC during the early Bronze Age, the researchers said.
It was abandoned around a thousand years later. “No one knows why,” Charloux said.
When al-Natah was built, cities were flourishing in the Levant region along the Mediterranean Sea from present-day Syria to Jordan.
Northwest Arabia at the time was thought to have been barren desert, crossed by pastoral nomads and dotted with burial sites.
That was until 15 years ago, when archaeologists discovered ramparts dating back to the Bronze Age in the oasis of Tayma, to Khaybar’s north.
This “first essential discovery” led scientists to look closer at these oases, Charloux said.
“Slow urbanism”
Black volcanic rocks called basalt concealed the walls of al-Natah so well that it “protected the site from illegal excavations,” Charloux said.
But observing the site from above revealed potential paths and the foundations of houses, suggesting where the archaeologists needed to dig.
They discovered foundations “strong enough to easily support at least one- or two-story” homes, Charloux said, emphasizing that there was much more work to be done to understand the site.
But their preliminary findings paint a picture of a 2.6-hectare town with around 50 houses perched on a hill, equipped with a wall of its own.
Tombs inside a necropolis there contained metal weapons like axes and daggers as well as stones such as agate, indicating a relatively advanced society for so long ago.
Pieces of pottery “suggest a relatively egalitarian society,” the study said. They are “very pretty but very simple ceramics,” added Charloux.
The size of the ramparts — which could reach around five meters (16 feet) high — suggests that al-Natah was the seat of some kind of powerful local authority.
These discoveries reveal a process of “slow urbanism” during the transition between nomadic and more settled village life, the study said.
For example, fortified oases could have been in contact with each other in an area still largely populated by pastoral nomadic groups. Such exchanges could have even laid the foundations for the “incense route” which saw spices, frankincense and myrrh traded from southern Arabia to the Mediterranean.
Al-Natah was still small compared to cities in Mesopotamia or Egypt during the period.
But in these vast expanses of desert, it appears there was “another path towards urbanization” than such city-states, one “more modest, much slower, and quite specific to the northwest of Arabia,” Charloux said.