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Move over, Fifth Avenue. Milan’s Via MonteNapoleone has taken your crown as world’s most upscale shopping street
Shoppers laden with bags from Fendi, Loewe, Prada and other designer labels clog the narrow sidewalks of Milan’s swankiest shopping street, bringing joy to the purveyors of high-end luxury goods this, and every, holiday season.
There’s even more to celebrate this year: A commercial real estate company has crowned Via MonteNapoleone as the world’s most expensive retail destination, displacing New York’s Fifth Avenue.
The latest version of American firm Cushman & Wakefield’s annual global index, which ranks shopping areas based on the rent prices they command, is a sign of Via MonteNapoleone’s desirability as an address for luxury ready-to-wear, jewelry and even pastry brands.
The average rent on the Milan street has surged to 20,000 euros per square meter ($2,047 per square foot), compared with 19,537 euros per square meter ($2,000 per square foot) on an 11-block stretch of upper Fifth Avenue.
Via MonteNapoleone’s small size – it’s less than one-quarter mile long – and walking distance to services and top cultural sites are among the street’s key advantages, according to Guglielmo Miani, president of the MonteNapoleone District association.
“Not everything can fit, which is a benefit” since the limited space makes the street even more exclusive and dynamic, said Miani, whose group also represents businesses on the intersecting side streets that together with Via MonteNapoleone form an area known as Milan’s Fashion Quadrilateral.
The biggest brands on the street make 50 million euros ($52.4 million) to 100 million euros in annual sales, Miani said, which goes a long way to paying the rent. Tiffany & Co. is preparing to take up residence on Via Montenapoleone, and long-time tenant Fendi is expanding.
The MonteNapoleone District says 11 million people visited the area this year through November, but there’s no way to say how many were big spenders vs. window shoppers. The average shopper on Via MonteNapoleone spent 2,500 euros ($2,624) per purchase between August and November – the highest average receipt in the world, according to the tax-free shopping firm Global Blue.
The street is a magnet for holiday shoppers who arrive in Maseratis, Porsches and even Ferraris, the sports car’s limited trunk space notwithstanding. Lights twinkle overhead, boutique windows feature mannequins engaged in warm scenes of holiday fun, and passersby snap photos of expertly decorated cakes in pastry shop displays.
A visitor from China, Chen Xinghan, waited for a taxi with a half-dozen shopping bags lined up next to him on the sidewalk. He said he paid half the price for a luxury Fendi coat that he purchased in Milan than he would have at home.
“I got a lot,” Chen acknowledged. “It’s a fantastic place, a good place for shopping.”
A few store windows down, Franca Da Rold, who was visiting Milan from Belluno, an Italian city in the Dolomites mountain range, marveled at a chunky, meters-long knit scarf priced at 980 euros ($1,028).
“I could knit that in one hour, using 12-gauge knitting needles as thick as my fingers, and thick wool. Maximum two hours,” Da Rold said, but acknowledged the brand appeal.
Despite upper Fifth Avenue getting bumped to the No. 2 spot on the Cushman & Wakefield list, the organization that serves as the Manhattan street’s guardian and chief promoter had praise for MonteNapoleone’s achievement.
“Milan’s investment in its public realm is paying off, which is a win for their shoppers, businesses and city as a whole,” said Madelyn Wils, the interim president of the Fifth Avenue Association.
But she also expressed confidence that with new investments and a record year for sales on Fifth Avenue, “we’ll be back on top in no time.”
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Francis Ford Coppola, a 2024 Kennedy Center honoree, looks back on his groundbreaking career
Francis Ford Coppola, the visionary director behind “The Godfather” and “Apocalypse Now,” was named a 2024 Kennedy Center honoree earlier this year, celebrating his lifetime of artistic achievements. Over a career spanning more than half a century, the 85-year-old filmmaker has earned five Oscars, six Golden Globes, two Palme d’Or awards and a BAFTA.
When asked if there is a signature “Coppola style,” the director said, “I think I was always someone even as a 17-year-old, 18-year-old film director who wanted to poeticize the work I did, but then take it to the very brink where if I took it any further, it would fall off the cliff.”
The daring creative philosophy has shaped some of the most influential films in history, including “The Conversation” and “The Godfather” trilogy.
Coppola’s journey began in Detroit, where he was born into an Italian-American family. Raised in Queens, New York, he was heavily influenced by his parents, especially his father Carmine, a flutist for Arturo Toscanini’s NBC Symphony Orchestra. That is where he learned that music and pictures are not always connected.
While in college, Coppola was deeply inspired by Sergei Eisenstein’s silent film “October: 10 Days That Shook the World.”
“It was a silent picture, but they weren’t playing any accompaniment,” he said. “And I was amazed at how the film itself sort of made you think you were hearing it because of the way it was cut. I came out of that experience absolutely bowled over.”
Coppola followed his passion for film to UCLA. “I had no money. I had no car. I had no girlfriend. I had nothing,” he said.
After graduating, Warner Brothers hired him to direct “Finian’s Rainbow,” and in 1970, his screenplay for “Patton” earned him his first Academy Award.
At just 29, Coppola signed on to co-write and direct “The Godfather,” a film that became a cornerstone of modern cinema. “I really was an Italian-American. So although I didn’t know gangsters, I knew that to the detail of what life was like in that kind of household,” he said.
Casting Marlon Brando as Vito Corleone proved challenging. “I was ordered by the head of the studio that I couldn’t even mention Brando,” Coppola said. Eventually, the studio agreed — on three conditions. “He has to do the movie for nothing, no fee; he has to shoot a screen test; he has to put up a million-dollar bond. So, I said, ‘I accept.'”
Brando’s transformation into the character astonished the studio. The studio dropped all conditions after seeing Brando’s screen test, and the rest is history.
“The Godfather” earned Coppola an Oscar nomination for Best Director and a win for Best Adapted Screenplay. He continued his streak with adaptations like “The Outsiders.”
Coppola went on to adapt S.E. Hinton’s “The Outsiders” and “Rumble Fish,” which featured his nephew, Nicolas Cage.
Cage is just one of many members of the Coppola family who have pursued successful careers in the arts. Reflecting on his priorities, Coppola said, “I want my children to be healthy, and I want them to be happy in their work, which they seem to be. I’m now more concerned that there’s going to be an Earth here that’s going to sustain itself.”
Now, as a Kennedy Center honoree, Coppola reflected on how he views himself, saying, “I think of someone who loved his human family — not just my immediate family, but the entire human family. That’s who I am. I am the one who loves everybody.”
The Kennedy Center Honors ceremony, which took place on Dec. 8, 2024, will be broadcast on CBS on Dec. 22.
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Backstage with Supreme Court Justice Ketanji Brown Jackson after making her Broadway debut
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New York doctor sued for prescribing abortion pills to Texas woman via telehealth
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