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Designer David Rockwell on “celebrating a sense of ritual”

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For 45 years, “Sunday Morning”‘s set, created by legendary CBS designer Victor Paganuzzi, has served as our backdrop. But for this year’s Design Issue, we opted for an update.  And who better to reimagine our surroundings (in virtual form) than the eminent design firm Rockwell Group?

“There were things about the ‘CBS Sunday Morning’ piece that were an immediate yes for me,” said David Rockwell, the firm’s founder and president. “When I think of it, I think of it as one of the ultimate communal rituals. And every project we do is really about celebrating a sense of ritual.

“So, we started with lots of hand sketching. And as we zeroed in on it, I realized there was an opportunity to do something that had the kind of simplicity and restraint of the original, but have a kind of exuberance and theatrical flair,” he said.

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Members of the Rockwell Group Team reimagining the “CBS News Sunday Morning” set. 

CBS News


Rockwell knows theatrical flair; he designed Hollywood’s Dolby Theatre, home of the Oscars since 2002. 

The stage is pictured during the 81st Ac
A view of the stage at the 81st Oscar ceremony in Hollywood, February 22, 2009, at the Kodak (now Dolby) Theatre. David Rockwell was the first architect invited to design the set of the Academy Awards. 

GABRIEL BOUYS/AFP via Getty Images


His vast portfolio spans hotels, stadiums, stage sets, libraries, playgrounds, airport terminals, bars and restaurants – more than 500 restaurants – since founding the firm in 1984, 40 years ago.

Some Rockwell trademarks? Screens, vibrant and playful; stairs, sweeping and stately; and light, deep, warm, and rich.

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Rockwell Group’s design for the New York restaurant COQODAQ, inspired by traditional Korean patterns, combined with art nouveau and strategic lighting. 

Rockwell Group


Rockwell said, “My earliest thoughts about lighting in restaurants comes from candles and thinking about restaurants in Guadalajara, where I lived, where the candle was like a hearth. You can’t always replicate that, but it’s not a bad place to start.”

It’s not all glitzy restaurants and luxury hotels. This children’s hospital emphasizes color and imagination.

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A patient’s room at Cohen Children’s Medical Center in New Hyde Park, N.Y., where glowing light boxes are customizable, with changing colors and animations. 

Rockwell Group


A temporary viewing platform at Ground Zero helped mourners grapple with the unthinkable in the months after 9/11. Rockwell said, “Really what was needed was a public viewing platform, so people could have this unmediated look at what really happened. That temporary structure was definitely one of the most powerful things I’ve ever been involved with.”

Rockwell’s firm, which started out with fewer than a dozen people, has grown to some 330, with outposts in L.A. and Madrid.

“I’m so grateful that I get to do what I do – I feel lucky every day,” he said.

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Designer David Rockwell, founder and president of Rockwell Group.

CBS News


And today, “Sunday Morning” is the grateful beneficiary of their creativity.


Rockwell Group’s “CBS Sunday Morning” Project Description

Inspiration and Context

For the 2024 Design Issue, “CBS Sunday Morning”‘s annual broadcast of stories from different creative worlds, Rockwell Group wanted to welcome the program’s audience into an imagined world built from foundational elements of the show. “CBS Sunday Morning” and our studio share the belief that the audience is at the center of all we do, and we both use storytelling as a tool for connection.

Since its first broadcast in 1979, “CBS Sunday Morning” has been a weekly ritual for millions of people who find meaning not just in the day’s headlines, but also in the blueprints of culture laid out by contemporary architecture, performance, and the visual arts. This ritual has endured in large part thanks to “Sunday Morning”‘s original set design by legendary scenic designer Victor Paganuzzi, who laid the groundwork for a program that offered viewers solid ground and nuance for nearly five decades. Similarly for 40 years, Rockwell Group has created ritual experiences for people across all typologies – no matter the project, we approach everything from a theater design perspective, emphasizing narratives that speak to the human experience and make every audience feel considered.

The sun is “CBS Sunday Morning”‘s longstanding symbol; it fittingly represents the energy and insight it exchanges with its viewers. Over the years, more than 9,000 viewer-created suns have been used in the show – a testament to how the show resonates with viewers of all ages. They also reflect the belief that the ritual of making connects us across time and space. We are taking part in this tradition with our own sun, made in-house by a cross-disciplinary team.

Rockwell Group was initially inspired by the French curve – a form that combines the elegant and the practical, the emotional and the mathematical. French curves have been used for over a century in manual drafting and fashion design to draw smooth curves of various dimensions. From there we developed other concepts. Each sun has its own story and together this tapestry becomes the fundamental building blocks of our design.

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Design concepts for Rockwell Group’s reimagining of the “CBS Sunday Morning” set. 

Rockwell Group


Design Concept: Elements of Architecture

Our design speaks to the magazine and museum-like approach of “Sunday Morning,” and the exchange between the show – the world’s stories – and its viewers; the levels of depth and humanity that can be expressed through transparency and restraint; and the solid ground the show offers even when we feel chaos in the world. Our design is a journey through four forms which make up the foundation of architecture, built and detailed with artwork suns created by CBS viewers over the show’s history.

We created four design concepts for the show:

Planes and Screens: If the quickest path between two points is a straight line, the simplest architectural path is the plane, the flat or level surfaces, the crucial building block of any space. We explored the depth achieved through planes: walls, floors, and screens. Capturing light and casting shadows, these planes imbue a space with details and nuance that change over time as the sun moves. Our screens are delicately but unmistakably etched with a sun story, informed by the show’s history and its exchange with audiences.

Columns: The simple stacked arrangement of the column allows it to perform an essential task: bearing the load of a building. Over centuries columns and our use of them have evolved, creating restraints for designers that when embraced can become opportunities. Our columns are cut metal, illuminated from inside, to shine with the light of viewers’ submitted suns and artwork.

Domes: A curve which can support a structure or carve out space to draw the eye to the air beneath, domes have been used around the world to articulate how architecture can bend but not break – truth to the idea that good design ideas can withstand reality. Our dome, inspired by the Pantheon, includes an oculus to invite sunlight, with ornamentation surrounding the dome, and ground level, featuring suns by your audience.

Threshold: Thresholds anticipate a journey. They create an opportunity for depth, representing invitations to a new spaces, new worlds. Every ritual we design begins with that entry and invitation. Here you are welcomed to an ornamental tunnel, a network of suns brought together through simple elegance to achieve depth. At the end of the tunnel we have placed our contribution to the constellation of suns, a sun made of the French curve, combining the emotional and the mathematical.

Narrative and stories find their meaning in the arrangement: as the show progresses, the stories and suns build upon what came before. Like Gaudi’s nature-inspired approach to structure, our design facilitates dialogue between earth and sky, shadows cast in patterns of memory.

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Jane Pauley on the Rockwell Group’s virtual “Sunday Morning” set. 

CBS News


      
For more info:

  • Rockwell Group
  • Photo credits: Peter Mauss, Frank Oudeman, AVABLU, Nikolas Koenig, Michael Kleinberg, Emily Andrews, Michael Stavaridis, Scott Frances, Eric Laignel, Jason Varney for Rockwell Group, Albert Vecerka & Blandon Belushin

       
Story produced by Robert Marston. Editor: David Bhagat. 



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Oklahoma set to execute man who killed girl, 10, during cannibalistic fantasy

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Oklahoma is preparing to execute a man who killed a 10-year-old girl in what would be the nation’s 25th and final execution of the year.

Kevin Ray Underwood is scheduled to die by lethal injection on Thursday, his 45th birthday, at the Oklahoma State Penitentiary in McAlester. Underwood, a former grocery store worker, was sentenced to die for killing Jamie Rose Bolin in 2006 as part of a cannibalistic fantasy.

Underwood admitted to luring Jamie into his apartment and beating her over the head with a cutting board before suffocating and sexually assaulting her. He told investigators that he nearly beheaded the girl in his bathtub before abandoning his plans to eat her.

Girl Slain Appeal
In this Feb. 28, 2008 file photo, Kevin Underwood, center, is escorted out of a courthouse by deputies in Norman, Okla.

Sue Ogrocki / AP


Oklahoma uses a three-drug lethal injection process that begins with the sedative midazolam followed by a second drug that paralyzes the inmate to halt their breathing and a third that stops their heart.

During a hearing last week before the state’s Pardon and Parole Board, Underwood told the girl’s family he was sorry.

“I would like to apologize to the victim’s family, to my own family and to everyone in that room today that had to hear the horrible details of what I did,” Underwood said to the board via a video feed from the Oklahoma State Penitentiary.

The three board members in attendance at last week’s meeting all voted against recommending clemency.

Underwood’s attorneys had argued that he deserved to be spared from death because of his long history of abuse and serious mental health issues that included autism, obsessive-compulsive disorder, bipolar and panic disorders, post-traumatic stress disorder, schizotypal personality disorder and various deviant sexual paraphilias.

His mother, Connie Underwood, tearfully asked the board to grant her son mercy.

“I can’t imagine the heartache the family of that precious girl is living with every single day,” Connie Underwood said. “I wish we understood his pain before it led to this tragedy.”

But several members of Bolin’s family asked the board to reject Underwood’s clemency bid. The girl’s father, Curtis Bolin, was scheduled to testify to the board but became choked up as he held his head in his hand.

“I’m sorry, I can’t,” he said.

Prosecutors wrote in opposing Underwood’s clemency request that, “Whatever deviance of the mind led Underwood to abduct, beat, suffocate, sexually abuse and nearly decapitate Jamie cannot be laid at the feet of depression, anxiety or (autism).

“Underwood is dangerous because he is smart, organized and driven by deviant sexual desires rooted in the harm and abuse of others.”

In a last-minute request seeking a stay of execution from the U.S. Supreme Court, Underwood’s attorneys argued that he deserves a hearing before the full five-member parole board and that the panel violated state law and Underwood’s rights by rescheduling its hearing at the last minute after two members of the board resigned.



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Health insurers limit coverage of prosthetic limbs, questioning their medical necessity

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When Michael Adams was researching health insurance options last year, he had one very specific requirement: coverage for prosthetic limbs.

Adams, 51, lost his right leg to cancer 40 years ago, and he has worn out more legs than he can count. He picked a gold plan on the Colorado health insurance marketplace that covered prosthetics, including microprocessor-controlled knees like the one he has used for many years. That function adds stability and helps prevent falls.

But when his leg needed replacing in January after about five years of everyday use, his new marketplace health plan wouldn’t authorize it. The roughly $50,000 leg with the electronically controlled knee wasn’t medically necessary, the insurer said, even though Colorado law leaves that determination up to the patient’s doctor, and his has prescribed a version of that leg for many years, starting when he had employer-sponsored coverage.

“The electronic prosthetic knee is life-changing,” said Adams, who lives in Lafayette, Colorado, with his wife and two kids. Without it, “it would be like going back to having a wooden leg like I did when I was a kid.” The microprocessor in the knee responds to different surfaces and inclines, stiffening up if it detects movement that indicates its user is falling.

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Michael Adams, shown here skiing in Colorado with his wife, Liza, was told by his insurer that the replacement prosthetic leg his doctor prescribed wasn’t medically necessary.

Alana Adams


People who need surgery to replace a joint typically don’t encounter similar coverage roadblocks. In 2021, 1.5 million knee or hip joint replacements were performed in United States hospitals and hospital-owned ambulatory facilities, according to the federal Agency for Healthcare Research and Quality, or AHRQ. The median price for a total hip or knee replacement without complications at top orthopedic hospitals was just over $68,000 in 2020, according to one analysis, though health plans often negotiate lower rates.

To people in the amputee community, the coverage disparity amounts to discrimination.

“Insurance covers a knee replacement if it’s covered with skin, but if it’s covered with plastic, it’s not going to cover it,” said Jeffrey Cain, a family physician and former chair of the board of the Amputee Coalition, an advocacy group. Cain wears two prosthetic legs, having lost his after an airplane accident nearly 30 years ago.

AHIP, a trade group for health plans, said health plans generally provide coverage when the prosthetic is determined to be medically necessary, such as to replace a body part or function for walking and day-to-day activity. In practice, though, prosthetic coverage by private health plans varies tremendously, said Ashlie White, chief strategy and programs officer at the Amputee Coalition. Even though coverage for basic prostheses may be included in a plan, “often insurance companies will put caps on the devices and restrictions on the types of devices approved,” White said.

That means that a patient’s costs can also fluctuate significantly, depending on that person’s coverage specifics, the plan’s restrictions and even geographic cost differences. 

An estimated 2.3 million people are living with limb loss in the U.S., according to an analysis by Avalere, a health care consulting company. That number is expected to as much as double in coming years as people age and a growing number lose limbs to diabetes, trauma and other medical problems.

Fewer than half of people with limb loss have been prescribed a prosthesis, according to a report by the AHRQ. Plans may deny coverage for prosthetic limbs by claiming they aren’t medically necessary or are experimental devices, even though microprocessor-controlled knees like Adams’ have been in use for decades.

Cain was instrumental in getting passed a 2000 Colorado law that requires insurers to cover prosthetic arms and legs at parity with Medicare, which requires coverage with a 20% coinsurance payment. Since that measure was enacted, about half of states have passed “insurance fairness” laws that require prosthetic coverage on par with other covered medical services in a plan or laws that require coverage of prostheses that enable people to do sports. But these laws apply only to plans regulated by the state. Over half of people with private coverage are in plans not governed by state law.

The Medicare program’s 80% coverage of prosthetic limbs mirrors its coverage for other services. Still, an October report by the Government Accountability Office found that only 30% of beneficiaries who lost a limb in 2016 received a prosthesis in the following three years.

Cost is a factor for many people.

“No matter your coverage, most people have to pay something on that device,” White said. As a result, “many people will be on a payment plan for their device,” she said. Some may take out loans.

The federal Consumer Financial Protection Bureau has proposed a rule that would prohibit lenders from repossessing medical devices such as wheelchairs and prosthetic limbs if people can’t repay their loans.

“It is a replacement limb,” said White, whose organization has heard of several cases in which lenders have repossessed wheelchairs or prostheses. Repossession is “literally a punishment to the individual.”

Adams ultimately owed a coinsurance payment of about $4,000 for his new leg, which reflected his portion of the insurer’s negotiated rate for the knee and foot portion of the leg but did not include the costly part that fits around his stump, which didn’t need replacing. The insurer approved the prosthetic leg on appeal, claiming it had made an administrative error, Adams said.

“We’re fortunate that we’re able to afford that 20%,” said Adams, who is a self-employed leadership consultant.

Again, out-of-pocket costs – even if the patient has health insurance and a doctor’s prescription – can be cost-prohibitive because of the plan’s co-insurance requirements as well as coverage caps or other limitations. 

Leah Kaplan doesn’t have that financial flexibility. Born without a left hand, she did not have a prosthetic limb until a few years ago.

Growing up, “I didn’t want more reasons to be stared at,” said Kaplan, 32, of her decision not to use a prosthesis. A few years ago, the cycling enthusiast got a prosthetic hand specially designed for use with her bike. That device was covered under the health plan she has through her county government job in Spokane, Washington, helping developmentally disabled people transition from school to work.

But when she tried to get approval for a prosthetic hand to use for everyday activities, her health plan turned her down. The myoelectric hand she requested would respond to electrical impulses in her arm that would move the hand to perform certain actions. Without insurance coverage, the hand would cost her just over $46,000, which she said she can’t afford.

Working with her doctor, she has appealed the decision to her insurer and been denied three times. Kaplan said she’s still not sure exactly what the rationale is, except that the insurer has questioned the medical necessity of the prosthetic hand. The next step is to file an appeal with an independent review organization certified by the state insurance commissioner’s office.

A prosthetic hand is not a luxury device, Kaplan said. The prosthetic clinic has ordered the hand and made the customized socket that will fit around the end of her arm. But until insurance coverage is sorted out, she can’t use it.

At this point, she feels defeated. “I’ve been waiting for this for so long,” Kaplan said.

KFF Health News is a national newsroom that produces in-depth journalism about health issues and is one of the core operating programs at KFF — the independent source for health policy research, polling and journalism.



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DNC chair candidate Martin O’Malley says Democrats need to learn from “very bad loss”

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Senate Finance Committee Considers Martin O'Malley Nomination For Social Security Commissioner
File: Former Gov. Martin O’Malley (D-MD), President Biden’s nominee to be the next Commissioner of Social Security, testifies during his confirmation hearing before the Senate Finance Committee at the Dirksen Senate Office Building on November 02, 2023 in Washington, DC.

Kevin Dietsch / Getty Images


Martin O’Malley has the kind of experience that would typically benefit a Democrat who wants to guide the party’s future after devastating losses in the last election.  

He’s a former governor, former mayor and a 2016 presidential candidate who until recently was serving in President Joe Biden’s administration. Yet O’Malley is facing a difficult path in the race to try and become the next chairman of the Democratic National Committee as the party reckons with the reality that key pockets of voters turned against it

Vital to O’Malley’s attempt is a campaign platform, first reported by CBS News, that calls for reconnecting the Democratic Party “to the kitchen table of every American family.” 

“We suffered a very bad loss,” O’Malley said in an interview, urging Democrats “to learn from it in order to win the next battles ahead.” 

His vision is centered on a 57-state and territory strategy along with plans to give campaigns “world-class AI tools for voter outreach, research, communications, and financial management, eliminating barriers to effective campaigning.” O’Malley’s pitch is also focused on “re-investing in direct voter registration,” as part of his pledge for the party to make “voter protection and registration the pillars of the change we need to win.” 

Democrats weathered a chaotic election cycle in 2024, punctuated by the push within the party to convince President Biden to end his reelection run after a dismal debate performance in June. While Mr. Biden eventually ended his bid in July and endorsed Vice President Kamala Harris to take his place at the top of the ticket, the 107-day sprint that followed resulted in Democrats losing the White House and Senate while failing, albeit narrowly, to win control of the House. 

Now the party is essentially leaderless and preparing for an emboldened Donald Trump to return to Washington, where he’ll be able to benefit from Republicans’ unified control of Congress and the White House. Those dynamics will be well in play at the time of the election for DNC chair on Feb. 1 given the unease among Democrats that has been abundantly clear in the weeks following the presidential election.

“I want to see someone who doesn’t come from the Washington circuit, who actually has been out there in the tissue of the country,” Ohio Rep. Marcy Kaptur, a battleground district Democrat, said of the DNC chair race. 

Failure can mean opportunity. The party’s struggles means O’Malley, as well as other ambitious Democrats, have a chance to become the next chair and carry wide ranging influence during a critical time for the party as it looks to regain ground in the 2026 midterms and the 2028 presidential election. For all his apparent vulnerabilities, Trump was far more successful in this election than ever before, winning all seven presidential battlegrounds. Whether what happened in 2024 will become a tangible turning point for Democrats is likely to loom over the chair race in the coming weeks. 

“That’s the big shift that’s happened with this election going the wrong way on us,” O’Malley said. “We’re now in a mode of needing a changemaker, not a caretaker.” 

Among those running for chair, Ken Martin, the leader of Minnesota’s arm of the Democratic Party and a DNC vice chair, as well as Wisconsin Democratic Party Chair Ben Wikler, are seen as frontrunners. Martin has deep relationships within the DNC and can boast a statewide winning streak for candidates in Minnesota, while Wikler carries the political gravitas of helping lead the party in one of the nation’s seven presidential battlegrounds. 

Earlier this month, Martin announced a framework which includes his drive for a “Democratic infrastructure in all 3,244 counties,” across the country, as well as taking on the branding problem evident from the 2024 election results. 

“The majority of Americans now believe the Republican Party best represents the interests of the working class and the poor, and the Democratic Party is the party of the wealthy and the elites,” Martin said in his framework. “It’s a damning indictment on our party brand. We must be willing to dig deep and recenter the Democratic agenda to unite families across race, age, background, and class.” 

During a brief pitch to party leaders at a meeting in Washington D.C. last week where Martin and O’Malley also spoke, Wikler told his fellow Democrats “we need to build the battle plan to change how we communicate, so we show what we mean when we say we fight for working folks.”  

This isn’t the first time O’Malley has been linked to leading the party. Days after the 2016 election, he posted on social media that despite encouragement, he would not run for chair. Eight years later, he’s navigating a short window to make his case as he emphasizes his lengthy career in politics. 

O’Malley served as mayor of Baltimore from 1999 to 2007 and went on to win two terms as governor of Maryland, which included a stint leading the Democratic Governors Association. His political power has faded since then however, illustrated most notably by the struggles he faced during his campaign for president in the 2016 Democratic primary. Before announcing his run for chair, O’Malley spent nearly a year working in the federal government as commissioner of Social Security.  

That experience is intertwined in O’Malley’s platform, which also calls for creating “a feedback loop for our local and state elected officials to ensure that they can help inform our messaging and tactics.” 

“We all know we need to restore our credibility,” O’Malley said. “We need to learn from our failings, as well as our candidates who succeeded. But only one of us [in the race for DNC chair] has actually proven an ability to effectuate a rapid turnaround like we need to do right now in order to win the next election.” 

contributed to this report.





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