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Artist Mickalene Thomas and her dream of making a difference

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When you walk into the world of Mickalene Thomas, prepare to be dazzled. The 53-year-old artist uses rhinestones, collage, silkscreen and video to create pieces that celebrate women – proud, confident and powerful.

She may be best known for her reinterpretations of classics, like her “Le déjeuner sur l’herbe,” a take on the Pablo Picasso and Edouard Manet paintings of the same name. “Our histories are always wrought with ideas of leaving truths out, leaving people out,” said Thomas. “And so, I started questioning that.”

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Mickalene Thomas’ “Le déjeuner sur l’herbe: les trois femmes noires” (2022), on view in the exhibition, “Mickalene Thomas: All About Love.” 

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Thomas shifted the focus to women she finds beautiful. Her muses are sometimes famous, more often not: “The everyday Black woman who should be celebrated; the women who are on the street, the women who are the laborers, the workers, but still exude this excellence of self-awareness and pride, and vulnerability and strength at the same time.”

“Like all great artists, she has an understanding, a grasp of what great historical artists are doing, and she’s saying, ‘Okay, I’m gonna turn that around, I’m going to make that my own,'” said Joanne Heyler, founding director of the Broad Museum in Los Angeles, home to the exhibition, “Mickalene Thomas: All About Love.” “She is completely changing who’s centered in traditional Western (especially European) painting. And she’s centering Black women, she’s centering queer women and queer identity, and she’s doing that with these beautiful works with glitter and rhinestone, literally bringing light and illumination to those lives.”

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A detail from Mickalene Thomas’ “Afro Goddess Looking Forward” (2015). Rhinestones, acrylic, and oil on wood panel. 

Mickalene Thomas


The exhibit starts with a life-sized recreation of the Camden, New Jersey row houses where Thomas grew up.

Early on, she knew she wanted to make a difference, so in college she studied pre-law. “Why not think about being a lawyer, and changing some necessary laws in this country?” she laughed.

She said that “changing the world” was the goal. That is, until the day she visited a museum and saw the “Kitchen Table Series,” a set of photographs by renowned artist Carrie Mae Weems. “In that moment, when I saw those photographs at the museum, I knew I wanted to be an artist,” said Thomas. “That was it. That’s what art is supposed to do. It’s supposed to move you. incite you. And if we don’t see ourselves in images, we don’t know what’s possible.”

Smith asked, “So, you knew you wanted to do art. Did you know you could make a living at that point?”

“You’re funny!” laughed Thomas. “No!”

In fact, her mixing of media came, at least in part, out of necessity, like her signature rhinestones, which are put on one by one and can number into the thousands on just one piece. “Oil paint is very expensive,” Thomas said. “So, I used what was around me, what was accessible, what was affordable. And sometimes that was materials that other people threw away: ‘Well, okay, I can’t afford paint. But I’m gonna work with these things.’

“A lot of my process comes out of limitations. But my life has always been about limitations and working within that, around it, and through it, and above it.”

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Mickalene Thomas in the studio. 

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“Above it” is right; her work is now in museums all over the world.

And just this past May, when she was honored by the Gordon Parks Foundation in New York, Thomas’ journey came full circle. Presenting her award was Carrie Mae Weems, the artist whose work had inspired her to change her life’s path 30 years ago.

Mickalene Thomas didn’t become a lawyer, but that dream of making a difference still came true. “To have an idea, and to take that idea, to transmit it through yourself, to make it come to fruition, and to make something that the world or a group of people respond to, now that’s life, right?” Thomas said. “That’s changing the world.”

     
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Story produced by Julie Kracov. Editor: Steven Tyler.

     
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Inside Jeff Bezos’ upcoming meeting with Trump

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Inside Jeff Bezos’ upcoming meeting with Trump – CBS News


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Amazon founder Jeff Bezos on Wednesday will be the latest tech leader to meet with President-elect Donald Trump at Mar-a-Lago. CBS News political correspondent Caitlin Huey-Burns has more.

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What to know about the charges in UnitedHealthcare CEO’s killing

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What to know about the charges in UnitedHealthcare CEO’s killing – CBS News


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The suspect in the killing of UnitedHealthcare CEO Brian Thompson has been indicted on several charges, including first-degree murder as an act of terrorism. CBS News correspondent Lilia Luciano has more.

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Prominent pro-Putin ballet star Sergei Polunin says he’s leaving Russia

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Moscow — Former Royal Ballet star Sergei Polunin, famous for his tattoos of Russian President Vladimir Putin, on Wednesday announced that he plans to leave Russia. The Ukrainian-Russian dancer was one of the most prominent stars who backed Russia’s unilateral 2014 annexation of Crimea and its military assault on Ukraine. He was rewarded with prestigious state posts.

In a rambling, misspelled message on his Instagram account, Polunin wrote: “My time in Russia ran out a long time ago, it seems at this moment that I have fulfilled my mission here.”

The post first appeared Sunday on his little-read Telegram account.

Sergei Polunin rehearses prior to Johan Kobborg’s Romeo and Juliet, at the Royal Albert Hall in London, England, Nov. 28, 2021.

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Polunin, 35, did not give a specific reason for leaving but said that “a time comes when the soul feels it is not where it should be.”

He said he was leaving with his family — his wife Yelena and three children — but “where we will go is not clear so far.”

In the summer, the dancer complained of a lack of security and said he was being followed.

Polunin, who was born in Ukraine, backed Putin’s 2014 annexation of Crimea  — a prelude to the ongoing, full-scale invasion of Ukraine that Putin launched in February 2022.

The dancer was granted Russian citizenship in 2019. He was appointed acting head of a dance academy in occupied Crimea’s biggest city, Sevastopol, and director of the city’s opera and ballet theatre, for which a large new building is under construction.

Just last year he was decorated by Putin for his role in popularizing dance. But in August he was replaced as head of the dance academy by former Bolshoi prima Maria Alexandrova, and a week ago, Russia’s arts minister Olga Lyubimova announced his theater director job would go to singer Ildar Abdrazakov.

This came after on December 9 Polunin published a social media post saying he was “very sorry for people” living in the heavily bombarded village near Ukraine’s city of Kherson, where his family originates from, and that “the worst deal would be better than war.”

Sergei Polunin performs on stage during Johan Kobborg’s Romeo and Juliet, at the Royal Albert Hall in London, England, Dec. 1, 2021.

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Aged 13, Polunin won a scholarship to train at the Royal Ballet School in London and became its youngest ever principal dancer.

With his tattoos — including a large depiction of Putin’s face emblazoned prominently on his chest — and his rebellious attitude, he became known as the “bad boy of ballet” and caused a sensation by resigning from the Royal Ballet at the height of his fame in 2012.

Later he made a 2015 hit video to Irish musician Hozier’s song “Take Me to Church” and was the star of a 2016 documentary called “Dancer.”

He moved to perform at Moscow’s Stanislavsky Musical Theatre’s ballet before launching a solo career, starring in dance performances in roles including the mystic Grigory Rasputin.

In 2019 he posed for AFP with a large tattoo of Putin on his chest which he later supplemented with two Putin faces on either shoulder. He also has a large Ukrainian trident on his right hand.

This year he took part in Putin’s campaign for reelection as a celebrity backer.



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